Introduction
Cultural tourism, representing over 40% of global tourism activity (Richards 2018), is a dynamic force with dual potential: it can foster nation building by promoting cultural pride and unity or perpetuate neo-colonialism by commodifying local cultures for external gain. This paper examines this tension through the Bandung Spirit, the 1955 Asian-African Conference’s call for postcolonial solidarity, self-determination, and equality. By analysing cultural tourism’s role in Indonesia, this study explores whether it aligns with the Bandung Spirit’s principles or risks reinforcing neo-colonial dynamics.
Conceptual Framework
Cultural Tourism: Defined as travel motivated by
cultural attractions and experiences, such as heritage sites, festivals, and
local traditions (McKercher & du Cros 2002). It engages both tangible
(e.g., architecture) and intangible (e.g., rituals) cultural assets, aiming to
satisfy tourists’ cultural curiosity.
“Cultural tourism is the movement of persons to cultural
attractions away from their normal place of residence, with the intention to
gather new information and experiences to satisfy their cultural needs”
(McKercher & du Cros 2002, p. 4).
Nation Building: The process of cultivating shared
identity, cohesion, and sovereignty within a state (Smith 1991). Cultural
tourism supports this by crafting and disseminating narratives of national
heritage to both domestic and international audiences, reinforcing cultural
pride and unity.
Neo-Colonialism: As articulated by Kwame Nkrumah (1965),
neo-colonialism involves indirect economic and cultural domination without
formal political control. In tourism, this manifest when multinational
corporations or external actors commodify local cultures, extract profits, and
erode community control over heritage (Britton 1982).
Bandung Spirit: Emerging from the 1955 Bandung
Conference, this ethos champions anti-hegemony, mutual respect, and
self-determination. In cultural tourism, it advocates for community-led
representation, equitable benefit-sharing, and reciprocal cultural exchanges,
resisting external domination (The Tricontinental 2020).
Case Studies: Indonesia’s Cultural Tourism
Penglipuran Village exemplifies community-driven
cultural tourism. Its 200 households collectively manage tourism, sharing roles
in guiding, cultural performances, and maintenance while equitably distributing
income through a village cooperative (Cole 2007). This model has funded
infrastructure—paved walkways, waste management, and scholarships—while
strengthening Balinese identity and pride.
However, rising tourist numbers have strained
authenticity. To meet visitor expectations, some households have altered
traditional house designs and added commercial elements like souvenir stalls,
risking the transformation of lived heritage into a staged spectacle (Cole
2007). This tension highlights cultural tourism’s potential to empower
communities while simultaneously pressuring them to commodify their culture.
Tana Toraja, Sulawesi: Neo-Colonial
Appropriation
Tana Toraja’s sacred Rambu Solo’ funeral ceremonies,
once private rituals, became tourist attractions in the 1980s, promoted by the
Indonesian state and international tour operators as “exotic” spectacles (Adams
1990). This shift altered their spiritual significance, with ceremonies
rescheduled or modified for tourist convenience, turning solemn rites into
entertainment.
Government-led tourism zoning further marginalized
locals by designating villages as “cultural showcases” without community input,
while profits flowed to external operators (Hitchcock 1993). This case
illustrates neo-colonial dynamics, where local culture is repackaged and
controlled by outsiders, undermining Torajan agency and cultural integrity.
Analysis: The Bandung Spirit as a Guiding
Framework
The cases of Penglipuran and Tana Toraja reveal cultural
tourism’s dual nature. In Penglipuran, community control aligns with the
Bandung Spirit, fostering nation building through cultural pride, economic
benefits, and social cohesion. Conversely, Tana Toraja demonstrates
neo-colonial tendencies, with external actors reshaping sacred traditions for
profit, eroding local agency.
The Bandung Spirit provides a normative guide for
ethical cultural tourism:
Community Ownership: Locals must control how their
culture is presented.
Authenticity: Cultural practices should remain true to
their social and spiritual significance.
Equitable Benefits: Tourism revenue should prioritize
community welfare over external profiteering.
Solidarity: Cultural exchanges should foster mutual
respect, not domination.
Without these principles, cultural tourism risks
perpetuating neo-colonial hierarchies under the guise of cultural appreciation.
Conclusion
Cultural tourism can serve as a powerful tool for nation
building, reinforcing cultural identity and economic resilience, as seen in
Penglipuran. However, without safeguards, it can devolve into neo-colonial
exploitation, as evidenced in Tana Toraja. The Bandung Spirit offers a
framework to ensure cultural tourism respects community agency, preserves
authenticity, and promotes equitable, reciprocal exchanges. The challenge for
postcolonial societies is to harness tourism’s potential ethically, aligning
with the principles of solidarity and self-determination articulated in 1955.
References
Adams, K. M. (1990). “Cultural Commoditization in Tana
Toraja, Indonesia.” Cultural Survival Quarterly, 14(1), 31–34.
Britton, S. G. (1982). “The Political Economy of Tourism
in the Third World.” Annals of Tourism Research, 9(3), 331–358.
Cole, S. (2007). “Beyond Authenticity and
Commodification.” Annals of Tourism Research, 34(4), 943–960.
Hitchcock, M. (1993). Tourism in South-East Asia.
London: Routledge.
McKercher, B., & du Cros, H. (2002). Cultural
Tourism: The Partnership Between Tourism and Cultural Heritage Management. New
York: Routledge.
Nkrumah, K. (1965). Neo-Colonialism: The Last Stage of
Imperialism. London: Thomas Nelson.
Richards, G. (2018). “Cultural Tourism: A Review of
Recent Research and Trends.” Journal of Hospitality and Tourism Management, 36,
12–21.
Smith, A. D. (1991). National Identity. Reno: University
of Nevada Press.
The Tricontinental. (2020). “Dossier: The Bandung
Spirit.” <https://thetricontinental.org/dossier-the-bandung-spirit/>.
Note:
Jakarta, September 16, 2025
Ignatius Ismartono, SJ
Tidak ada komentar:
Posting Komentar